Harry Potter and the Methods of Rationality discussion thread, part 2

ETA: There is now a third thread, so send new comments there.

 

Since the first thread has exceeded 500 comments, it seems time for a new one, with Eliezer's just-posted Chapter 33 & 34 to kick things off. 

From previous post: 

Spoiler Warning:  this thread contains unrot13'd spoilers for Harry Potter and the Methods of Rationality up to the current chapter and for the original Harry Potter series.  Please continue to use rot13 for spoilers to other works of fiction, or if you have insider knowledge of future chapters of Harry Potter and the Methods of Rationality.

A suggestion: mention at the top of your comment which chapter you're commenting on, or what chapter you're up to, so that people can understand the context of your comment even after more chapters have been posted.  This can also help people avoid reading spoilers for a new chapter before they realize that there is a new chapter.

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I can't believe I didn't realize this before.

Someone complained elsewhere (I think it was in the other thread) about Harry being the Boy-who-Lived and having a prophecy and having a cold dark side and being super-rational.

From MoR itself:

It's too much coincidence for one girl to be the strongest magically and academically unless there's a single cause.

It's plausible that one of the Muggle-raised students at Hogwarts could be a science nerd. It's not plausible that that student would also be the Boy-who-Lived. There must be a single cause.

I think it's most likely that Harry's dark side is somehow an effect of being AKed. Perhaps he's a horcrux, like in canon. The hat said no, but it's possible that Harry was killed and the only soul left in him is Voldemort's fragment. Or, without positing souls, maybe horcruxing a person overwrites the victim with a copy of yourself.

Harrymort has a warm side because he was raised in a loving household; he doesn't remember being Voldemort because he was stuck in a child's brain, with the plasticity and pruning that entails (or maybe V. wiped Harrymort's memory for some reason?); he didn't survive the attack, but rather his fresh corpse was appropriated as a horcrux.

This also explains his prodigious intellect and indignation at being treated as a child: he's really an adult mind, overwritten onto a child's brain. This is also why the Remembrall reacted the way it did: he's forgotten decades of his former life as Voldemort.

"Ghosts," Harry said, his voice flat. "You mean those things like portraits, stored memories and behaviors with no awareness or life, accidentally impressed into the surrounding material by the burst of magic that accompanies the violent death of a wizard -"

"Why," I said to myself, "would you have to die to make a ghost? It seems completely arbitrary." But then I thought that perhaps death releases a huge amount of magic that can't normally be drawn upon safely.

But then I had this wicked awesome idea.

What if a Horcrux is the same effect, harnessed deliberately? That's why it requires human sacrifice -- the violent death of a wizard. A controlled ghost-making, operated by a wizard who remains conscious and alive through the whole process, can bind the mind into an object, arrange for contingent regrowth of the caster from the record... Yes. Horcruxes are ghosts created under controlled conditions.

Which in turn suggests that you might be able to make a dying person into a superghost (or maybe even an immortal living person). Kill them to make a horcrux, but make the sacrifice immortal instead of the caster.

ZOMG! That makes sense! So much sense that J.K. Rowling really missed a chance to have a great Revan Moment in canon. Imagine the shock ending if, as Voldemort staggers from a mortal wound in the last pages of Deathly Hallows, he explains this to Harry, then: "I...am only a shell...and have never been anything more. (cough) My purpose has only been to prepare you...Make you strong...make you gather the Hallows and become invincible... You. Are. Voldemort! BWA! HA! HAAAAAA!"

This would make sense of canon scenes like, for e.g., Voldy's re-animation ceremony in Goblet of Fire only using a little of Harry's blood, instead of having Ratface cut his throat, and how he calls his Death Eaters off and fights Harry solo instead of having them Just Shoot Him.

Back to MoR, yeah, I think "Harrymort" is a fiendishly cool idea! (up-voted)

Is it the author's opinion that the creation of house elves was a terribly evil deed? It would seem that to think that after their creation, they would want to do what they have been designed to do and so would be no more evil than creating an intelligence which would want to bowl and fish all day. Even if we accept that creating conscious entities which are forced by means of their preferences to do menial work is wrong, it would seem to be better to create them, than to force those who don't enjoy such work to do it. Is Harry just confused by his intuitions about the evil of slavery, without sufficient reflection?

ETA: While this argument works in the abstract and is useful for countering human biases against "slavery" and applies in the particular for the creation of Gammas, Deltas and Epsilons, house elves have addition features I wasn't considering which makes their creation morally evil.

Is it the author's opinion that the creation of house elves was a terribly evil deed?

It had been, but...

Even if we accept that creating conscious entities which are forced by means of their preferences to do menial work is wrong, it would seem to be better to create them, than to force those who don't enjoy such work to do it.

...is a powerful argument I had never considered.

Though there's logic to this argument, pretty much everything else about the way house elves were made is evil. They're created, or conditioned to brutally torture themselves if they even think they've displeased their masters or broken a rule. They have no labor rights and can be mistreated at will, to the point that mistreatment is built in as a product feature.

We can only imagine what sort of miserable Dickensian conditions they live in when they're not at work. They're forced to wear ragged, salvaged sacks, as giving them clothes = firing them, i.e. denying them the work and subservient position they're designed to want. This is a needless cruelty on top of everything else. Heck, if I were an aristocrat wizard with house elves, I'd want mine to go around in elegant livery, as a demonstration of how magnificent my Estate is. But I couldn't do that, because the poor little creatures were made (modified?) by a sadist.

Heck, if I were an aristocrat wizard with house elves, I'd want mine to go around in elegant livery, as a demonstration of how magnificent my Estate is. But I couldn't do that

You could get them elegantly embroidered little dishtowels clipped into place with stylized sugar tongs made of silver.

...is a powerful argument I had never considered.

How would you say this relates to the ethics of creating an FAI? In some ways house elves were created for a similar reason that we would create an FAI. Would it be something about 'consciousness' that separates the two constructions ethically? If so, I wonder whether creating a 'helper' agent that in some sense is conscious and 'enjoys' what it does is better or worse than creating a raw optimised agent that we wouldn't consider conscious.

It occurs to me that what a house elf considers fun is not all that much different from the perspective of all of value-space from what we might consider fun.

I think it's worth distinguishing creating work-loving entities ex nihilo from modifying existing entities against their will to become work-loving. Canon rather implies the latter; handling the procedure ethically would be tricky, as baseline elves likely would not only resist being value-enslaved, but would want the children they birth and raise to be like themselves.

Theory: the 'spell of starlight' is a scrying or remote-viewing effect which Quirrelmort originally developed to keep an eye on the Pioneer horcrux. It's strenuous because of the extreme range, possible at all only because of the strong sympathetic connection involved. Reinforcing the sympathetic connection is important to maintain the possibility of Apparating out there, and sharing the experience helps to establish a sympathetic link between Harry's scar/mysterious dark side and the horcrux, which will eventually make it possible to do something nasty to him from far away.

Just occurred to me: if magic ability is genetic, it should in theory be possible to use gene therapy/retroviruses/etc. (and perhaps some magic) to make all the Muggles into wizards! (Or at least all the ones yet to be conceived or something.) I can just imagine Harry creating a Plague of Magic.

Almost certainly not in the timeframe of the fic. I think that 1995 was about the first time we successfully used a retrovirus to cure a human disease, and we still don't have the tech to create a contagious disease to do so.

Why do wizards - particularly in MoR, where most people are smarter - carry one wand apiece? This doesn't seem to be an absolute practical limitation wherein only one wand may be mastered at a time. In book seven, Harry is simultaneously the master of the Elder Wand and his own original with Fawkes's feather in it. Why doesn't everyone habitually walk out of Ollivander's with two, so as to have a spare in hazardous situations or in case one should be lost?

Eliezer, is there any chance any speaker at the Singularity Summit might open or close with "Happy happy boom boom swamp swamp swamp!"? For numerous reasons, I think it would be most hilarious if Ray Kurzweil could be persuaded to do so.

Am I the only one who now wants to campaign for gay rights with the slogan "Death Eaters against homophobia!"?

Upon seeing DinosaurusGede's awesome pic, my first thought was that were I able to draw (I cannot), I would draw Dumbledore wailing on an electric guitar and saying "THIS was your father's rock".

Akrasia cure: Self-cast the imperius curse.

Well obviously I'm not going to popularize a method of immortality that requires killing people! That would defeat the entire point!

Actually...

We know from canon that a Horcrux is really just a backup copy, so that on average you probably only about double your lifespan by making one, at best. But it seems to me that based on what Harry has been told, he should believe that a Horcrux makes you immortal and unkillable. Given this belief, in the absence of any better way of achieving immortality, the spell is considerably better than baseline.

Set up a Horcrux clinic. A pair of people come in, fill out some paperwork, flip a coin in the presence of a notary, and the winner of the coin toss kills the loser to make a Horcrux. If nobody ever cast the spell, the loser was going to die eventually anyway, and if you do it when both parties are close to dying of old age (though this would probably be a needlessly reckless strategy, all things considered) then the loser doesn't even lose all that much.

You could save half of the wizarding world from certain death.

Oh, and Harry didn't even ask whether it might be possible to substitute an animal for the human sacrifice, or make a portrait of the caster and use that as a substitute, or Transfigure a rock into a copy of the caster (under heavy precautions, of course). He displays an irrational degree of revulsion at the idea of killing people. One gets the idea that he would let five die in the trolley problem.

A few reviewers are speculating that Lucius thinks Harry is Voldemort. Any thoughts on that? I'm not sure yet, but rereading their conversation with that in mind is pretty interesting.

(41)

So, traitors. Were there any? Did they play any part in the fight at all or was it just the principle of the thing? The whole point of the Draco+Hermione vs Harry war was on the subject of unity. I was kind of hoping for some object lessons on just how much Harry's advantage of being able to trust his soldiers helped him while Draco and Hermione had to put in place extra precautions to protect themselves from sleeper agents. Or, well, even an offhand mention of "Chaos got 3 extra fighters" to acknowledge the issue.

I just had a thought WRT Harry's controversial apology to Hermione in Chapter 42. This is the Harry that lectured McGonagall on the Planning Fallacy, while demonstrating that he really does assume a worst-case scenario (insisting on purchasing a magical first aid kit just in case one of his fellow students ended up maimed and dying in front of him). I think it's entirely plausible that he could have spent the whole time Hermione was falling imagining that maybe he'd forgotten to stir the ground hen's teeth (or whatever) into the Feather Fall potion six times, or that it wasn't quite a three-quarters Moon when he started, or that a sudden gust of wind might impale her on the spikes of a wrought-iron balcony fence, or blow her into the Forbidden Forest or whatever other horrific Murphy's Law scenarios his all-too-imaginative mind could concoct, right up until her feet touched the ground.

Also, from the descriptions it looks like he was fighting this battle in ColdDarkLordHarry mode, so in addition to the above, he might even have been worrying that his Dark Side had subconsciously arranged things (such as a Potions failure, or just the situation of random danger with the Feather Fall potion as a false guarantor of safety) in a way that would bring his Intent To Kill to bear. It might even be revealed later that, for just a moment, his Dark Side produced a desire that she actually die, and that's what's making him feel so guilty.

Then, he would have spent the time until she came to meet him imagining that she would have been imagining the same things as an expression of his Planning Fallacy-based ur-pessimism combined with his tendency to try to model other people's minds, i.e., in this case, in the most pessimistic way possible. So, by the time he sees her, he's got himself expecting her to hate, hate, HATE him, and since he cares about her he really doesn't want that. And for her part, she's got him apologizing and willing to let her avenge herself on him, so why stop him now?

Some of the comments here have pointed out Hermione's strong sense of Justice and Fairness as an objection to her behavior in this scene. Maybe we're seeing some Unintended Consequences to Harry's "get Hermione and Draco to work together" plot. For Draco to reflexively try to catch Hermione is (I think) a major change in his character. This is a boy who casually expressed his intention to rape Luna Lovegood to someone he'd just met, assuming that boy's stated "intention" to murder her was equally casual, and equally serious. Major, major misogyny here.

So, for Draco to try to save Hermione, and have difficulty letting her go even as what's left of his Pureblood conditioning is railing at him, and Hermione herself is begging him to drop her so he can beat Harry, is a huge change in his character. If we grant that so much of Hermione's[1] sensibilities have rubbed off on Draco during their collaboration, it's not too much of a stretch to imagine that some osmosis has gone the other way. Hermione's spent the last few months of warfare learning the art of Devious Plotting, and since her alliance with Draco, would be getting lessons from a master. So, if we accept the changes to Draco's character, it's not too implausible IMO that Hermione might have become less of a "goody-goody" by now, and be willing to let Harry grovel, and even enjoy it a bit.

  1. I'm assuming it would be Hermione's values rubbing off on Draco and not Harry's, since in the portrayed encounters Harry has been concealing his Enlightenment sentiments from Draco to keep him in the Bayesian Conspiracy. "Slytherin! Just Kidding! Ravenclaw!"

This is a boy who casually expressed his intention to rape Luna Lovegood to someone he'd just met, assuming that boy's stated "intention" to murder her was equally casual, and equally serious. Major, major misogyny here.

I don't read that as misogyny. Merely a willingness to utterly humiliate a low status enemy by whatever means practical. If it was Larry Lovegood I expect the conversation would involve castration. Or perhaps sodomy via broomstick.

The most compelling evidence for an afterlife in canon was Harry's "near-death experience" in Deathly Hallows. While "dead", Harry talks to Dumbledore one last time, and Harry learns things that only Dumbledore would have known.

Of course, MoR!Harry doesn't have this evidence.

Harry learns things that only Dumbledore would have known.

Does he? It certainly seems possible that Harry is just filling in the blanks himself. I just went back and re-read it. Consider:

"Explain," said Harry.
"But you already know," said Dumbledore. . .
...
"But if Voldemort used the Killing Curse," Harry started again, "and nobody died for me this time -- how can I be alive?"
"I think you know," said Dumbledore. "Think back. . ."

The information that Dumbledore actually does provide to Harry is either inconclusive or insubstantial -- e.g. Harry asks about the peculiar behavior of his wand, and Dumbledore says he cannot but guess. Harry asks where they are, Dumbledore cannot answer and says that they are where ever Harry thinks they are. Harry asks about the Deathly Hallows:

"Real, and dangerous, and a lure for fools," said Dumbledore. "And I was such a fool But you know, don't you? I have no secrets from you anymore. You know."
. . .
So you'd given up looking for the Hallows when you saw the Cloak?"
"Oh yes," said Dumbledore faintly. . . "You know what happened. You know."

Dumbledore tells Harry of his stint with Grindelwald, but Harry might be piecing together the narrative from what he has learned (Dumbledore again seems to indicate at some times that Harry already knows what happened).

The chapter's ending could go either way:

"Tell me one last thing," said Harry. "Is this real? Or has this been happening inside my head?"
...
"Of course it is happening inside your head, Harry, but why on earth should that mean that it is not real?"

This all leads me to consider that chapter very shaky evidence. I'd still say the strongest evidence is the ghosts. Eliezer's explanation is lacking, since in Book 4 a group of travelling ghosts visits Hogwarts from elsewhere beyond the castle (the gang of headless ghosts, entry into which Nearly-Headless-Nick is sadly not quite eligible). Myrtle once left the castle to haunt a wedding. So, in canon, ghosts must be more than just after-images bound to the castle stone. Though there are, of course, other similar explanations. . .

[I]f we lived in the sort of universe where horrible things were only allowed to happen for good reasons, they just wouldn't happen in the first place.

I love this line and am probably going to be quoting it frequently.

Edit: ...and Harry was pretty magnificent in that scene, in general. "Wrong! I want the secret of the Dark Lord's immortality in order to use it for everyone!" was one of my favourite moments, even if Harry was mistaken about the feasibility of that particular plan.

Chp 39 (the Dementor)

I think that Dumbledore and Harry were too quick to conclude that the Dementor could just be used as a distraction. It was Harry's first idea (once he turned cold), and Dumbledore stopped him there. Cold!Harry didn't even spend 5 minutes on the problem - compare with Harry's instructions to Fred & George in the Hold Off on Proposing Solutions MOR chapter. If there's a plot, that seems much too obvious for Quirrell.

What immediately occurred to me (similar to the infamous scene in The Princess Bride), is that if your opponent believes you will have a distraction and a real attack, simply lauch two real attacks, with the expectation that whichever one the opponent takes to be the distraction will succeed. Obviously this requires a greater sacrifice of materiel, but Quirrelmort doesn't exactly seem short in that department.